Nord to take centre stage at CRE 25
In the 1960s, the acoustic guitar became the new worship ‘accessory’ – in the past 10 years it’s been joined by a distinctive red keyboard. For the first time, the keyboard’s makers, Nord, will be exhibiting at CRE 25 and musician Matt Cossey (above) explains why the keyboard has become so popular in churches throughout the UK
The sound – let’s start with an obvious point – they sound great. But what’s different about a Nord over many other keyboards is that their piano samples capture the nuance of acoustic instruments so well. Nords are also known for having some of the best sounding electric pianos, great pads and, many would agree, the most authentic organ recreations on the market.
The ability to ‘flow’ – as a Christian musician, I often find myself in a worship setting where my goal is not to simply play a part, but rather respond to what the Spirit is doing. I love this context, where I need to listen to what is going on, listen to God, and play something appropriate that can accompany how the Spirit is moving. Enter the Nord… Whilst the seemingly infinite knobs and dials might initially induce mild panic, there is a reason for this apparent complexity. The truth is, Nords are actually incredibly intuitive and easy to use once you understand them, because everything is accessible.
A desire for excellence – lastly, I think the increasing abundance of red keyboards in churches is indicative of a desire for excellence. When I talk to church leaders and musicians, I so often hear the same heart for ‘something greater’ in worship. I get a sense of unrest and an unwillingness to settle. The Nord has come to represent a sound and a standard that so many aspire to.
There is a lot more that could be said on this topic, but if a bright red keyboard can play even a small part in helping the churches achieve this, they are worth every penny.
Matt Cossey is an active performer, composer, Nord Keyboards artist and keyboardist for disco icon Gloria Gaynor
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